Showing posts with label film. Show all posts

To Kill a King music video.

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As the sun came up and many of my friends came back from a drunken night out in town, I came back from a full day of shooting a music video for To Kill a King. This weekend, I was 2nd assistant director and production manager for TKAK's video for their song, Rays. 


We had amazing cast and crew on set which made the shoot incredibly fun and entertaining to be on.

So now the video has been released (at the bottom of the post), I can now go into more detail about what happened on the shoot! First off, here are a few photos that were taken on the shoot. 




My role was to make sure everyone was happy, nourished and knew what was happening. I organised travelling, rang cast/crew members, taxi ranks and owners of locations to make sure everything was going to run smoothly. 

The shoot was possibly the longest set I have been on - one day being 13 hours long (which isn't long to film makers, but I haven't been on a shoot in so long, it was a shock to my system!). 
I spent the first day trying to remember everyones names and getting to know people. Everyone else knew each other (except the set designer, Sarah, who was in the same position as me) so I wanted to get to know everyone straight away. It was refreshing to see such a welcoming and lovely crew! They all respected each other as crew members but welcomed you like you were a part of some humongous, odd family. The crew being happy and kind helped me greatly when it came to informing them of what was happening and making sure everything ran according to plan. 

It was amazing how different a shoot at uni is compared to a much more professional shoot. Although it wasn't paid, the crew were still ridiculously professional and knew exactly what to do, when to do it and how to do it. You could ask them questions about the kit, why they were using certain pieces of equipment and how they would create a certain effect, and they knew exactly how to do it. But I suppose that's the point of studying film at university, you're there to learn how to do those things - no one expects you to already know it! 

There were many locations for this shoot - Shipley, Bradford, Doncaster, a club, a bowling alley, a field and more, so a lot of preparation had to be in place to make sure everyone got to the locations on time. Luckily, several members of the crew had a car, so it was a simple case of putting people in cars and sending them to the next location!

As well as a great crew, we had a fantastic cast. All of the actors were so lovely and knew exactly what to do - they moulded to the character and were always happy (and entertaining) whilst waiting for the next shot. They worked extremely well with the huge crew, long hours and busy schedule, and were a pleasure to be around. I've got all of their contact details and I'm ready to recommend them to anyone who needs a role filled and I'm excited to see where they end up in the future.

The main thing I can say is that it's incredibly important to have a great cast and crew with you when you're working on a 13 hour day shoot for 3 days. They were all incredibly welcoming and helped wherever needed, and the cast were great to have around (as well as one of the actors parents, they were absolutely lovely and fantastic to spend time with.) 

Ralph, a member of TKAK, spent a lot of time on the shoot to make sure everything was okay. He was so helpful and kind to everyone, pitching in wherever needed even though he didn't have to. I hope he's proud of what the finished product is like - the hard work has definitely paid off! 

I hope to see them all again in the near future, and can see a lot of them going far in the their careers. So this is the finished product. I'm ecstatic with it and I'm proud to say I worked on this music video. Enjoy!






UPDATE: contributor confirmed!

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I am extremely pleased to say that Sam Briggs won the Crossfit Games 2013 competition, and is officially titled the fittest woman in the world.... AND Sam has kindly said yes to being my contributor! 

This is a fantastic opportunity for myself and my crew, as we will be able to interview and make a short film about the fittest woman in the world - bet you can't say you've ever done that before?! She is recognised world wide and has a huge fan base in America, so no pressure, eh? 

I'm extremely excited and cannot wait to get started in the pre-production over the next few weeks. I've already started with idea generation and some research. You can never be too prepared! 

I'll keep you all updated in the near future, but for now, here's a picture of Sam doing what she does best...winning!



It's never too early to start planning, is it?

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I should use my summer holidays to go out, party till I can't feel my feet and eat everything in sight, but nope, I can't help myself but to think of more film ideas for my first 3rd year film! 

These are all brief and need lots of improvement, but these are my thoughts so far...

IDEA 1:
My mums friend, Sam Briggs (American fitness fanatics will know her), is currently taking part in the Reebok Crossfit Games in USA, and is ranked #1 in the WORLD for women's fitness. 
If she wins, she will win the title of 'worlds strongest woman' (and just to think a few years ago she was helping my mum put a fence up in my garden!). 

At university, we get taught two main things: network, and use your contacts, so I think this would be the perfect opportunity to use my contacts and get a fantastic film out of it. Let's face it, no one else can say 'I know the strongest woman in the world'. 

Audience wise, the primary target would be fitness fanatics, and fans of Sam. Bob Harper (trainer on The Biggest Loser USA) took a picture of himself at the Crossfit games whilst he was watching the events, so you never know, if he's a fan of her, he might become a fan of the film! 


At the moment, I haven't decided what the short film will include, and what you'll see. Maybe some staged exercise routines, maybe some creative shots of the food she eats to stay in shape. Who knows? But as stated previously, it's just an idea. 


IDEA 2: 
Chocolate! A bit of a difference from the first idea, I know. But after seeing the recent Tesco advert of the strawberries and summer, I was thinking about other foods that connect us as a nation, and can make you feel happy. 

One of my biggest downfalls in my challenge to be healthy is my love of chocolate. I love it. I love chocolate cereals, cake, chocolate drinks, dark chocolate, white chocolate, all of it. And I know there are millions of people like me. As a nation, we love chocolate! (except the odd fellows who are savoury lovers...weird). So why not make a feel-good film about it? 


What would it include? On a recent trip to York, I found a little shop called 'York Cocoa House'. It was stunning: such an old and traditional place with a chef in the back making the chocolate by hand. Everything had a vintage feel to it, including the decor. So when I got home, I googled the place. The person that owns the shop is a young woman who started the business herself due to her chocoholic obsession, and decided to spread her love around! The story behind it is lovely, and so is the shop, so I think I'd like to use her story and the location to narrate my film. 

I think this film would be a visually driven film, which draws me to making it. I really want to focus on my cinematography skills and play with different lenses, and this idea would give me the opportunity to do so. But would it make an interesting film? I guess a lot of development is needed for me to say so. But as a chocolate lover, I'd say yes! 



So they are my most recent film ideas. They're basic and need some work, but a great starting point and both have outside connections, meaning the production value will be high. I don't know which would be more interesting - maybe I could make both!  


editing, editing, and more editing.

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Here I am, trying to develop my cinematography and camera skills for the 3rd year, and I decide to film my mum making Tapas. It's an easy, simple idea that can literally be stitched together in post production, except for of course.... my lack of editing software!

I'm stuck with iMovie. Not even the HD version, which I used in sixth form. You'd think it would be easy, especially because I work on Final Cut Pro to edit my films at university, but for some strange reason, I'm finding it ridiculously confusing and tedious to do. 
I love editing, and I love the process of it, but oh how I wish I had a laptop new enough to install final cut pro! My macbook is so old I'm having to delete precious photos and all of my work from previous projects to make room for the new ones. *sniffles*

So whilst I try learn how to use this bloody software, here are a few screenshots of what I'm doing. Some shots need a little colour correction (if I ever find out how to do it on iMovie), but other than that, I'm really happy with the outcome. The quality of my cinematography has improved greatly, and my thought process whilst filming is more productive! Instead of thinking 'I'll just film it like this and hope for the best', I found myself thinking 'okay, the lighting is a bit dark, so I'll do this, oh now it's a bit grainy, so I'll lower that' and so on. 
Watching shorts on how to use my DSLR and researching things has helped me so much in my journey to becoming a DOP - and I'm hoping I'll get to develop those skills even more in my 3rd year at university! 




Playing with the 50mm

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Whilst filming my mum doing some cooking (which will be ready for people to see within a few weeks), I decided to take some photographs of my dog, Millie, and my cat, Ebony. I also took some standard wildlife pictures too. Enjoy! (P.S, I'm really happy with the quality of these photos. I feel like I'm progressing a lot since I got my camera at Christmas. Yey!)











4Talent: a day of free stuff, education, opportunities, and more free stuff

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So I applied for a 4Talent day in Lincoln, and to my suprise, I got it!

For those who don't know, a 4Talent day is the only way you can get work experience, placements, apprenticeships and internships at Channel 4. There are only a few talent days a year, and a limited amount of spaces. 

Both me and George got a place, which made the whole experience less nerve-wracking. Thank god! 

The day started by registering, choosing your workshop (out of four options; the art of documentary film-making, acting, presenters and standing out), then we got our goodie bags! I love free things... who doesn't? 



The day itself was a bit like Industry Week at my university. We spoke to people in the industry, had a Q&A, learnt about how to get into Channel 4 and more. In the workshop, we were taught by Rad Miller (a fellow Yorkshire man!), who lectured us about documentary film making. Then, 5 camera ops were given an old style video camera, and they chose people for their crew. In our crews, we had to make a 3 min documentary, not to be edited, that had specific shots in it. I took the role as Assistant Director, and came up with the idea for the film. We used Theory books to find out whether people who have passed their test still remember the answers, and whether they think it's relevant. It was a simple but do-able idea, which was vital as we had just 1 hour to film it. It was successful - we learnt that people still do remember their theory, and think it's vital for driving. 

So, now what happens? Well, we get to sign up for any work experience, crews and placements we want. We get to see what happens at Channel 4, and get internships. Basically, by going to a day full of education, fun and free things, we now have opened the door to hundreds of opportunities! Woooohooooo! 


(Spot the George and Amy!)


I'd highly recommend all aspiring film makers to go to a 4Talent event, you just never know who you might meet! 

We're going to the zoo, zoo, zoo

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A hot day can only mean one thing: hide indoors and close the curtains so I don't get burnt alive. Well, that's what I normally do anyway. But last tuesday, I decided to go crazy and actually go outside, how adventurous of me! 

I went to Twycross Zoo for the day. It was ridiculously hot and my palest-of-pale skin could not handle it, so I burnt. What a suprise! But I managed to get a few pictures whilst I was there. I took them all on my 50mm lens, which proved to take some lovely photos. I found a technical glitch with my lens (or my camera, or my settings, or me...) which stopped me from getting some nice DOF in my shots, but I still got some good snaps. Here are my chosen few! 













Some helpful videos for people learning how to use a camera.

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Vimeo is such a magical place: you can find inspiring shorts, how-to videos and a glossary on terms. I've never seen them before, but once pointed in the right direction, I've managed to find dozens of videos that are helping me learn how to use my camera. 

Here's the link for the glossary on terms, including some short films about how to do certain things such as timelapse, frame rate VS shutter speed (which helped me immensely) and more. 


Okay, now to Philip Bloom. I was shown a video of him and his friend Andrea, where they give you an introduction to DSLR's. After watching this, I went to his other videos. You can learn about lenses, how to shoot at nighttime, how to change your settings, timelapsing, great accessories and more. They're all short and sweet - around 5 minutes long, and give you a recap at the end so you can write stuff down if you're taking notes. Perfect for my short attention span. 
Here's some of my favourite ones (pretty much all of them, they're just so helpful!):


Introduction to DSLR Cameras with Philip Bloom from Vimeo Video School on Vimeo.




Nighttime Shooting with a DSLR from Vimeo Video School on Vimeo.



DSLR Lenses from Vimeo Video School on Vimeo.



Shooting Video with a DSLR from Vimeo Video School on Vimeo.


For the other DSLR shooting videos by Philip Bloom, just scroll to the bottom of one of the films and choose from the selection. Otherwise, you can click the 'Vimeo Video School' link above, where it has a huge variety of other people demonstrating how to use DSLR's.

Another one that helped me - although his voice is incredibly boring - is a man that calls himself '--jL'. I've struggled with the difference between shutter speed and frame rate, and how to change them. This man explains what the difference is, and shows visual examples. I learn from seeing examples, not numbers and words on a board - so this is extremely helpful.



Part 6: Shutter Speed & FPS from --jL on Vimeo.


Although it's not a video, I've had another major help on my process to becoming a DOP. Blain Brown is the author of a book called "Cinematography: Theory and Practice". The book is around £23, but has had a massive impact on my learning. It uses visual references from films most people have seen, and explains things easily. It's quite informal - using chatty language rather than a report styled format, but I find that easier to understand. I'd recommend it to anyone! I take the book with me when I'm practising how to set up lights/camera, and refer to it when needed. It has an easy to understand contents page, so if you want to find something specific, you can! 

These are just some of the films and books I'm learning from. I recommend all of them for anyone who wants to know about DSLR's, filming, cinematography, lighting and just films in general. Enjoy! 

My new toys, and the results!

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So, remember my post about the things I bought? (camera batteries, big camera bag, macro extension tubes and a 50mm lens)

Well, they arrived! And they are amazing, I definitely suggest them to any photographer/cam op.



Macro extension tubes:
Okay, I'll be honest. When I first put this on, it got stuck on the 50mm lens and I thought I'd broke it. Thank god I was just being stupid! There was a little silver button you had to pull down to release the extension....
Once we got the lens on, and played around with it, we got some phenomenal results! I never realised just how close a macro tube could go, especially a £10 one. Here are some of the pictures we took with the macro extension tube + 50mm lens.






50mm lens:
I absolutely love the 50mm lens. It lets more light in, therefore, the quality is just so much better (in comparison to the 18-55mm standard kit lens). We did the exact same shot with both the kit lens and the 50mm lens - you don't have to rely on completely harsh light, because the 50mm lens makes any surrounding light seem brighter and all around nicer. I don't really know what else to say - it's great value, a really useful lens to have and for newbies like me, a fantastic lens to start with! 

My latest film!

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So it's been a long journey of thinking of boobs, filming boobs, and editing boobs. But finally, it's free to show the world! I'm extremely happy with the result of my film - I cannot thank my contributor (Lesley) and my crew enough! Take a look here:





My film is about embracing yourself as a person, and loving who you are - but shown in a more...provocative way. Hope you like it!

Excited!

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Okay, so lets start with a little backstory first. Coming onto my university course, I wanted to be an editor - it seemed to be the only thing I was good at whilst making films on a tiny flipcam in Sixth Form. However, on arrival, I learnt that my 5 GCSE's and 2 A-Levels in Art and Design have helped me to develop a visual style and how to make a shot look pretty with content and meaning - thanks art teachers! 

My ideal role is to be a Director of Photography. I love the idea of being in control of what the shot looks like, and developing a close relationship with the Director. It's great for me, because I like to tell people what to do, but I want an input in the creativity of a production, so this role is the best of both worlds. 
But I'm not going to lie, these past few weeks I've felt like I've been tested as a DOP. I feel like my extremely naive knowledge into lenses and cameras has stopped me from being crewed for my year group (my lens knowledge = the 18-55mm lens does an okay job of things). 

So, what am I going to do about it?

Well, I'm so glad you asked! Firstly, I took the role as Camera Assist on Jamie Sergeants production, Tent. Initially I was shitting myself. I was scared to even touch a lens - what sort of DOP would I have been? Anyway, I plucked up the courage and just simply got on with it. I asked questions, learnt things about lenses and what they do, if I didn't know what something was I just simply asked (who'd a thunk it, eh?) and I even did some filming on a shoulder mount for the first time! You could tell I was nervous - the first take I did was so shaky, I'm pretty sure it looked like there was an earthquake. But the 2nd take I did, I took a deep breath and calmed myself down. And - hopefully - it looks great! 




Okay so that's the first thing I've done. The second is to finally learn about lenses, what they do, purchase some and test them out for myself. 

I spent a whole day with George reading up on what lenses mean, the difference between macro tubes and lenses, what ISO, aperture and Shutter Speed means (yes, I knew THAT little!) and how to get rid of grain. I also learnt about lighting; how to set up standard lighting, what lights you would use in specific locations, what coloured gels do, electricity usage in locations, what all the lingo means and more. I wrote everything down and got tested on it (I remember almost all of it!). I found that watching videos online really helped, it was pretty much like getting a lesson on camera/lighting, except I could pause them to write stuff down. 



DSLR Lenses from Vimeo Video School on Vimeo. (A great way to learn about lenses. Check out all of the other videos too, especially the general introduction to cameras)

Now, I feel like I know loads! Obviously not as much as a professional DOP, but I think I know enough to get me onto crews, get me noticed and to start me off on my career. 

The next step: I've booked out the shoot studio at my university to practice how to do standard lighting, mood lighting, change things on my camera (canon 650D) and actually use it. I've booked a dolly and a lowboy too, so it will be good to try those out! 
Oh yes, and here's the reason why I started this post in the first place: I bought stuff! Yes, you heard correctly, stuff! I bought camera batteries (exciting), a big camera bag, macro extension tubes and a 50mm lens. I nearly bought a shoulder mount too, but the one I want costs over £100 so I'm going to wait until I learn more about cinematography to buy one. 




Once my purchases arrive, I'm going to test them out and learn how to use them. I'm so excited to get started, I feel like it's the push I should've given myself a long time ago. 
So, here's my plan for the next few months: 

  1. Test out my camerawork/lighting this friday (3rd May). 
  2. Make a little short out of the footage and make it public for the world to see
  3. Develop my photography skills - go take some photos to look at my style of cinematography.
  4. Practice, practice, practice!
  5. Rent out a wide lens and test out some filming with it. 
  6. Make a short film during summer to show everyone what I've learnt. 
....let's hope this works! I'm hoping that if I put 110% of my effort into my DOP work, people will give me a chance and let me prove to them that I am a good Director of Photography, and I will be successful. 

Watch this space!


i don't know what to call this post, so lets just get down to it.

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So, these past few days I have been extremely proactive with my career path.
I've created a CV, I've emailed people for my Professional Practice report, and I've even rang an executive producer from a well respected company! 

A CV, you say?
I procrastinated a lot with my CV. There's a lot of debate as to whether it should be professional, short and simple, or chatty, light hearted, and 'stand out' material. 
Me being me, I obviously chose the latter - in my mind, it's better to stand out and seem creative than be boring with my CV. It needs to catch the attention of the director/company, so something that is set out in a boring manner, with boring context and a boring layout would make me chuck it away straight away! Still, there's a little part of me that's wondering whether I should make my CV more professional...I guess only time will tell. 

Pro-pro-pro....practice?
I'm at that stage in my University degree where you have to decide what career you want to pursue, and actually (wait for it).........talk to people! An admittedly terrifying thing to do for me, as I struggle to even call a taxi or a takeaway. 
My topic if choice is Director of Photography. I chose this because I have such a passion in cinematography and everything involved in making a shot look utterly stunning, that this role seems perfect for me. 
The essay made me realise how much being a DOP would suit my preferences whilst being on set. I love the rush of being in control of what's happening around me and working with the camera man/woman. The controlling side of me gets what it wants, and the 'make everything look pretty' side to me gets what it wants too, a win-win situation for my inner me!
I'm nearly finished with my report, which is a great triumph for me as I had to re-do it all and I've had an operation recently so I'm still recovering from that - which is a definite set back. But have no fear, I've manned up, conquered on and caught up on all of my work. 

Ring ring ring ring ring ring ring, banana phone...
Nerves are a terrible thing. I hate nerves! It stops me ringing taxis, takeaways, doctors, hospitals, production companies and work possibilities. I'm always being a nervous ringer.
Even though they can't see me, my face goes bright red and I sweat in places I didn't think was possible. However, today I looked at my fears in the eyes, and defeated them - hoorah! 
I rang an executive producer for a huge production company based in Leeds, and it was a refreshingly light and cheery interview with a more than happy contributor. I was given invaluable advice regarding my career, how to get into the industry and how to stay there, as well as answers for my report. It gave me such a rush (nervous energy, but energy regardless) I felt like running around for hours to burn the energy off! Why did it give me such a weird rush? I have no idea. Maybe that's something I should look into. But today was a stepping stone for me, and I'm happy that I did it.

So that's my day for you. Because you obviously wanted to know... 

Update on all things filmy!

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So whilst I've been gallivanting on shoots, I've managed to take some stills! Here are a few samples below, enjoy!












These are just a small selection of the hundreds of photo's I've taken. I'm learning so much about photography recently, it's a great feeling knowing my hard work is paying off! 












The above photos are stills of me on shoot - don't worry, when I'm looking on my phone I'm actually taking photos for continuity! (I pretend that's what I'm doing, anyway).

I'll keep posting photos of the shoots I'm on for everyone to see as the stills are uploaded. So far, I've absolutely loved being on the sets I've worked on! Thank you to everyone who has let me be a part of their films, I will always appreciate it.